d6a2afd33b The desert can be a lonely place for the people who live there or for those who are traveling through. It is also the teller of different stories including the story of a traveling salesman whose only commodity is death and the story of a young man who finds that the death that he wishes for is difficult to find. Others are just traveling through, on their way to another place when they stop to eat at Red's Desert Oasis. The food may not be great, and the waitress may be surly, but those who stopped at Red's will find that they are involved in the showdown of their life.
Using elements from several other more popular films, American Strays brings together six different stories with the meeting room being a cafe in the desert. In one story we have Luke Perry as a man who cannot cope with his life and hires an 'Exterminator' to help him end his existence. The second story is about two hit men who are driving through the desert. One is cut up really bad and is wearing band-aids, the other is an overweight gentlemen with stomach problems. They really don't have much plot other than they provide the ending with some more bodies. The third story is about two people who are driving through the desert. They have a moment in their car where you question their friendship. Nothing becomes of this moment, and eventually they make it to the cafe. The fourth story is about a vacuum salesman. For more than half the film, we follow the path of Dwayne, a salesman who is willing to try any pitch to try to get his vacuum sold. Interestingly played by John Savage, this is the best story of the film. He travels from door to door in the desert demonstrating to potential buyers the effectiveness of his vacuum at a 'killer' price. The fifth story is about two lovers on the run from the law. Constantly in some sort of sexual embrace, these two have just robbed something, and are driving around and having sex whenever they want. The sixth and final story has to do with just a random family. Eric Roberts plays a man who is lost in the desert with his family in a minivan. All of these stories interweave together when they should all be going in separate directions. <br/><br/>What happened in 1996? This film made no sense at all. I felt like I began the film in the middle of the actual movie. There is no discussion at all, there is not even a hint, as to how all these characters happened to be in the same desert. All this film is meant to show is violence can happen to anybody. <br/><br/>While other are happy with comedic lines, I actually needed some pre-story to bring this film together. Literally, we jump right into the middle of the robber's story. We have no clue how he got the cash, or how long him and his lady friend have been together. We have no history of Roberts family. No clue what happened to him prior to entering the desert, or where they are headed to. All that we know is that they are as lost as I was in this film. What was the point of the train that Luke Perry kept seeing? Was it to symbolize that his life was about ready to arrive? How did the hit men get the cop in the back of their car, and why were they still carrying it? Who were the gangsta's and what was their part in this film? <br/><br/>QUESTIONS, QUESTIONS, QUESTIONS......I NEED ANSWERS ANSWERS ANSWERS!!!<br/><br/>There were some decent ideas in this film, but without building a story it is hard to develop these ideas. My feeling is that perhaps the director made this film, and found that he only had the budget to release the second half. If that was the case, here is my advise to the director...scrap the project...there is no reason to beat a dead horse. A self-conscious, contrived gallery of oddball characters are simply derived from parts of David Lynch, and the Coen brothers, with some sub-Tarantinoesque dialogue thrown in. <br/><br/>Unless you, as a viewer, enjoy picking out odd character actors, then I suggest slowly backing away from this film because 'there is nothing to see here folks.Â…'<br/><br/>Grade: * out of *****
He's a really nasty piece of work. This is His first encounter with Luke Perry's character, johnny, who is trying unsuccessfully to commit suicide, and answers a newspaper ad for the Exterminator.<br/><br/>Exterminator: The world is small, but God is great, to reunite Me with My little buddy from schooldays past.<br/><br/>johnny! Oh, you always hated to be called johnny, didn't you?<br/><br/>Well, johnny, what's the trouble? you've run into a bit of bad luck? And you need your old friend to help you out? I would just be tickled f***in' pink to help you out, johnny. And I'm gonna do it for nothin, My old friend.<br/><br/>[The Exterminator delivers several hard left punches to johnny's face.]<br/><br/>Just like old times, huh, johhny? I told ya.<br/><br/>[The Exterminator keeps punching. johnny's lip is bleeding. The Exterminator punches with more relish now. He is literally drooling with pleasure.]<br/><br/>I told ya. I told ya I'd fix everything.